It’s a cliché of the western movie genre. The hero has lived through some adventure, and, when it’s over, he gets on his horse and rides into the sunset. I have watched that scene dozens of times, and it fascinates me every time.
What happens when they disappear over the horizon? What happens after the “The End” placard covers the screen? Does the hero take time off before finding another adventure? Does he die of wounds suffered during the movie? Does he live happily ever after in some frontier town?
All of those questions go through my mind because I have to know the rest of the story. It doesn’t matter how bad the movie is. I still want to know what happens after the credits roll. However, something else goes through my mind, as well. The “into the sunset” scene isn’t always the same.
One of the greatest “into the sunset” scenes doesn’t even have a horse. In The Searchers, Ethan Edwards spends years attempting to rescue his niece from her Comanche captors. When he returns with her, everyone goes into the house except for him. He turns and walks into the desert as the door closes behind him.
Where did Edwards go? Did he leave because most of his family was dead? Did he wander because there was no purpose in his life? All of the wars were over. Or, did he think back over the past years before turning around and coming back?
John Wayne walked away in The Searchers, but Clint Eastwood could be the king of “into the sunset” rides. In The Outlaw Josey Wales, he is bleeding as he rides away. Does he live? If so, then does he go back to the friends that he has gained throughout the movie? Or, does he disappear from history?
Sometimes, he completely disappears because we really don’t know what he is. In Pale Rider, Eastwood evaporates from the scene. Is he some kind of spirit or is he just a mysterious gunman?
Those were great, but my favorite Eastwood ending comes from The Good, the Bad and the Ugly. Blondie leaves Tuco with a noose around his neck and gold at his feet. After an impossible rifle shot to save Tuco, Blondie rides away to one of the greatest movie scores of all time.
A more recent western has an “into the sunset” scene at the end. The difference is the adventure that precedes it. In Cowboys and Aliens, James Bond defeats aliens with the help of Indiana Jones. Oh, Boyd Crowder helps out, too. This time the hero is truly a loner. His wife is dead. His alien love interest is dead. He is considered dead. Heck, the dog doesn’t even go with him. In this one, the hero probably went somewhere and cried.
The cool thing about “into the sunset” scenes is that they are no longer reserved for westerns only. Remember what happened at the end of The Dark Knight? He agrees to be the fall guy and live life as a villain. Then, he hops on his jacked out motorcycle and rides into a tunnel. There is no sunset, but there is a cool speech and some kind of light up ahead. I hope it’s not a train.
Everybody knows what happened to him after that because we have sequels now. There should not have been a sequel to this one. Wondering what happened to Batman was a lot better than knowing that he faked his death and ended up with Catwoman.
Ok, so John Wayne, Clint Eastwood, James Bond and Batman all have had great scenes to end movies. However my favorite “into the sunset” scene comes from a movie that isn’t very good. At the end of Harley Davidson and the Marlboro Man, Don Johnson, as Marlboro, goes back to his roots and enters a rodeo. At the same time, Mickey Rourke, as Harley, rides his motorcycle into the sunset with an 80s vixen on the back and Black Eyed Susan playing in the background.
Why is that my favorite? Because it’s the only one that seems like a happy ending. He’s not alone. He’s not wounded. And, there is no doubt that something good is going to happen further down the road.
Tags: Batman, Clint Eastwood, Cowboys and Aliens, Don Johnson, Harley Davidson and the Marlboro Man, John Wayne, Mickey Rourke, Movies, Pale Rider, the Bad and the Ugly, The Dark Knight, The Good, The Outlaw Josey Wales, The Searchers, Westerns